Menganalisis Kembali Nilai-Nilai Spriritualitas dalam Penggunaan Musik Sekuler
DOI:
https://doi.org/10.63536/arastamar.v2i2.108Keywords:
Musik, Sekuler, SpiritualitasAbstract
Perkembangan budaya populer, khususnya musik sekuler, menghadirkan tantangan sekaligus peluang baru bagi pemahaman spiritualitas manusia modern. Selama ini musik sekuler sering dipandang terpisah dari pengalaman iman karena dianggap berada dalam ruang profan. Penelitian ini bertujuan untuk menganalisis nilai-nilai spiritualitas dalam musik sekuler serta memahami potensinya sebagai ruang transendensi dan refleksi iman. Penelitian ini menggunakan metode kualitatif dengan pendekatan hermeneutik melalui kajian teori Rupert Till dan konsep spiritualitas sekuler. Kebaruan penelitian ini terletak pada pemahaman musik sekuler sebagai ruang teopoetis, yaitu medium di mana pengalaman estetis dapat menjadi tempat perjumpaan manusia dengan makna, harapan, dan yang transenden. Hasil penelitian menunjukkan bahwa lirik, melodi, dan pengalaman kolektif dalam musik populer mampu menghadirkan refleksi spiritual, pencarian makna hidup, dan keterhubungan manusia dengan pengalaman transendental. Penelitian ini menyimpulkan bahwa musik sekuler dapat menjadi sarana pengayaan spiritualitas serta membuka paradigma baru bagi gereja dalam memahami hubungan iman dan budaya populer.
Downloads
References
Cristovel, Benny. “Musisi Sekuler Dan Gerejawi.” Jurnal Jaffray 5, no. 1 (Desember 2007): 29–42. https://doi.org/10.25278/jj71.v5i1.124.
Cutteridge, David. Secular Music and Young People’s Spirituality. t.t.
DeNora, Tia. Music in Everyday Life. Cambridge ; New York: Cambridge University Press, 2000.
Epp, Timothy. “So Many Paths: Reconsidering the Secular/Sacred Divide in Popular Music.” Journal of Sociology and Christianity 11, no. 2 (Oktober 2021): 5–34.
Foley, Edward. “Music and Spirituality: A Journey into Porosity.” Religions 11, no. 10 (Oktober 2020): 532. https://doi.org/10.3390/rel11100532.
“Hakikat Musik Sekular dan Musik Gereja: Kajian Ontologis dari Perspektif Teori Idealisme Plato | Danum Pambelum: Jurnal Teologi Dan Musik Gereja.” Diakses 17 Juni 2026. https://ejournal.iaknpky.ac.id/index.php/pambelum/article/view/209.
Hidayat, Agung. “Musik Safustik Perspektif Seyyet Hossein Nasr.” Repositori UIN, 2017.
Moleong, Lexy J. Metodologi penelitian kualitatif. Remadja Karya, 1989.
Nakagawa, Shin. Musik dan kosmos: sebuah pengantar etnomusikologi. Yayasan Obor Indonesia, 2000.
Nursyahida, Arum Mei, dan Amika Wardana. “Makna Dan Nilai Spiritual Musik Hadrah Pada Komunitas Hadrah El-Maqoshid.” Dimensia: Jurnal Kajian Sosiologi 9, no. 1 (Maret 2020): 26–36. https://doi.org/10.21831/dimensia.v9i1.38927.
Pachoer, Raden Datoek A. “Sekularisasi dan Sekularisme Agama.” Religious: Jurnal Studi Agama-Agama dan Lintas Budaya 1, no. 1 (September 2016): 91–102. https://doi.org/10.15575/rjsalb.v1i1.1372.
Partridge, Christopher. The Re-Enchantment of the West: Volume 1 Alternative Spiritualities, Sacralization, Popular Culture and Occulture. A&C Black, 2005.
“(PDF) Sebuah Ilmu Menghasrat: Topografi Studi Spiritualitas Di Indonesia.” ResearchGate, advance online publication, 9 Juni 2026. https://doi.org/10.46567/ijt.v9i2.231.
Saraswati, Widya Kirana. “Relasi musik dan spiritualitas.” Maliki Interdisciplinary Journal 4, no. 6 (Mei 2026): 364–70.
Sikumbang, Moh. Nazir Risman. Metode Penelitian. Cet. 8. Bogor: Ghalia Indonesia, 2013.
Siyoto, Sandu, dan Muhammad Ali Sodik. Dasar Metodologi Penelitian. Literasi Media Publishing, 2015.
Soeharto, M. Kamus musik. Jakarta: Gramedia Widiasarana Indonesia, 1992.
Somala, Rico, dan Mohammad Subhi. “Musik Sebagai Jalan Pencerahan Spiritual Dalam Doktrin As-Sama Hazrat Inayat Khan.” Jurnal Peradaban 5, no. 1 (Juni 2025): 24–41. https://doi.org/10.51353/ec3fyk96.
Sugiyono. Memahami Penelitian Kualitatif. Cet. 12. Bandung: Alfabeta, 2016.
“The Relationship Between Islamic Music and Spirituality A Study by Musician Setiawan Djody | Eduvest - Journal of Universal Studies.” Diakses 31 Agustus 2025. https://eduvest.greenvest.co.id/index.php/edv/article/view/51266.
“The role of music in young adults’ spiritual development: International Journal of Children’s Spirituality: Vol 23 , No 2 - Get Access.” Diakses 31 Agustus 2025. https://www.tandfonline.com/doi/full/10.1080/1364436X.2018.1449737.
Till, Rupert. Pop Cult: Religion and Popular Music. A&C Black, 2010.
Vania, Sabina Stella, Samsul Maarif, dan Royke B. Koapaha. “Musik sebagai Doa: Eksplorasi Metafora pada Musik Taizé di Skolastikat SCJ Yogyakarta.” INVENSI 10, no. 1 (Juni 2025): 111–26. https://doi.org/10.24821/invensi.v10i1.11972.
Westermeyer, Paul. “Music and Spirituality: Reflections from a Western Christian Perspective.” Religions 4, no. 4 (Desember 2013): 567–83. https://doi.org/10.3390/rel4040567.
Williams, Matthew A. “Not Secular: Interrogating the Sacred-Secular Binary through Gospel-Pop Performance.” Religions 14, no. 9 (September 2023): 1178. https://doi.org/10.3390/rel14091178.
Yulianti, Rahmani Timorita. “Pengaruh Musik Bagi Pencapaian Spiritual.” Millah: Journal of Religious Studies, 2004, 326–29.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Virginia Elintje Awaeh, Hendry Corneles Mamengko Runtuwene (Author)
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
An author who publishes in Jurnal Ilmu Pendidikan Keagamaan Kristen : Arastamar agrees to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Read more about the Creative Commons Attribution-ShareAlike 4.0 Licence here : https://creativecommons.org/licenses/by-sa/4.0/.
